Reviews
bié Records meets Shika Shika
This collab between Beijing-based label bié and Latin America-focused label Shika Shika is an energising alternative to the well worn...
Reviewed by Liam Izod in issue: December/2023
I See a World
Fusing Scottish jigs and reels with influences from jazz, pop and techno, Peatbog Faeries’ music is often described as ‘high-octane.’...
Reviewed by Tony Gillam in issue: December/2023
Pepito y Paquito
Many albums are ballyhooed for their ‘historic’ significance. Most are truly significant only as gap-fillers on the shelves of completist...
Reviewed by Doug Deloach in issue: June/2024
Perfeita Desordem
When one hears of a duo comprised of Portuguese guitar and classical guitar, fado understandably pops into mind. But although...
Reviewed by GonÇalo Frota in issue: June/2024
Our Calling
Piers Faccini & Ballaké Sissoko
The British-Italian folk songwriter Piers Faccini and the Malian kora player Ballaké Sissoko (Taj Mahal, Toumani Diabaté, Derek Gripper) first...
Reviewed by Jane Cornwell in issue: April/2025
Hunter Folk Vol 1: Tribute to Toumani Koné
Mali’s Nfaly Diakité is a virtuoso of the donso ngoni, an eight-stringed antelope skin harp favoured by the donsow, the...
Reviewed by Paul Bowler in issue: December/2024
Mohini
Sudeshna Bhattacharya & Mosin Khan Kawa
Norway-based Sudeshna Bhattacharya is one of very few female sarod players, having begun training aged just eight, initially with her...
Reviewed by Jameela Siddiqi in issue: June/2025
Strung Deep
This is the first recording from guitarist Marcus Corbett, who has been active on both the British folk and Indian...
Reviewed by Maria Lord in issue: June/2013
Muraqaba
Fanna-fi-Allah, meaning ‘To Annihilate the Self,’ is the name of a Canadian-American group specialising in qawwali, the devotional music of...
Reviewed by Jameela Siddiqi in issue: December/2018
Twinklings of Hope
I first heard Iranian sisters Mahsa & Marjan Vahdat in Istanbul in 2006. The power in their voices, so perfectly...
Reviewed by Simon Broughton in issue: Aug/Sep/2012
