An encounter with tango can easily spawn a kind of fanaticism, typically among non-Argentinians who become enraptured with its familiar...
Reviewed by Chris Moss in issue: Jan/Feb/2020
‘From Havana to Rio, it’s party time’ announce the liner notes accompanying this concoction crossing eras, musical styles and performers...
Reviewed by Sue Steward in issue: March/2010
With one foot in Scotland, the other in Austria and a few other limbs in Sweden and Vienna, Black Market...
Reviewed by Billy Rough in issue: Jan/Feb/2018
Tir is one of the words in Welsh for ‘Land’, but, more than its English equivalent, it suggests a connection...
Reviewed by Julian May in issue: June/2011
Vibraphonist and percussionist Mulatu Astatke developed Ethio-jazz in the 1960s, and he’s not stopped since, constantly forging new paths for...
Reviewed by Jim Hickson in issue: October/2025
Grosse Isle, the island in the St Lawrence River in Québec, was famously an immigration/quarantine depot for Irish immigrants escaping...
Reviewed by Li Robbins in issue: Aug/Sep/2021
The Sorcerers' second album presents itself as the ‘soundtrack to the motion picture,’ but don't be looking for it on...
Reviewed by Jim Hickson in issue: April/2020
Although this is only McGoldrick's fifth solo album in 22 years and his first since 2010, the genial Manchester-based flute,...
Reviewed by Kevin Bourke in issue: July/2018
Cocanha, Los Sara Fontán & Tarta Relena
Getting three different duos with very assertive personalities in the same studio and expecting it to work may sound a...
Reviewed by GonÇalo Frota in issue: May/2026
The Birmingham-based Old Dance School’s debut album Forecast was full of the first flush of recording excitement; a follow-up was...
Reviewed by Rose Skelton in issue: Aug/Sep/2012
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