Reviews
Corriente Vital: 10 Años
The last ten years seem to have passed as quickly as the pulsing beats in ‘Corre Lola Corre’ for Ojos...
Reviewed by Chris Moss in issue: June/2011
Rough Guide to Avant-Garde Japan
Defining exactly what is or is not ‘avant-garde’ music is an impossible task, with not even close to a consensus...
Reviewed by James Catchpole in issue: May/2021
Django’s Spirit
The music Django Reinhardt recorded between 1933 and his death in 1953 has always been filed under jazz. Had the...
Reviewed by Nigel Williamson in issue: Apr/May/2010
Blak & Blu
Melbourne-based Aboriginal singer Kutcha Edwards is a big man with a big voice. A Mutti Mutti man, whose traditional country...
Reviewed by Seth Jordan in issue: Apr/May/2013
Foggy Mountain Breakdown: A Bluegrass Tribute to Earl Scruggs
A couple of years ago, Tim Austin, one of the founders of the Lonesome River Band, kickstarted a project that...
Reviewed by Doug Deloach in issue: October/2012
Afrobeast
Yaaba Funk are a multiracial, multi¬national ten-piece Brixton band who have developed a strong reputation over the past two years...
Reviewed by Garth Cartwright in issue: Aug/Sep/2010
Una Mujer de Sal Junto a un Hombre Vuelto Carbón
Another unlikely reissue from the ever colourful portfolio of Spain’s Vampisoul label, this Uruguayan oddity offers some context to their...
Reviewed by Brendon Griffin in issue: July/2021
Cecil Sharp Project
Earlier this year, a remarkable ‘Who's Who’ of the new British folk scene assembled in London's Cecil Sharp House. Lined...
Reviewed by Robin Denselow in issue: Aug/Sep/2011
Braziliance!
‘First came Gilberto, then Jobim, and now MARCOS VALLE BRAZILIANCE!’ runs the breathless blurb on the original sleeve of this...
Reviewed by Brendon Griffin in issue: April/2020
Botyiaki Ntembe
This two-CD package reissues two albums that book-ended the latter part of the veteran Congolese troubadour’s musical career. Antoine Wendo...
Reviewed by Martin Sinnock in issue: Aug/Sep/2012
