Reviews
We Know Where the Time Goes
Cut and paste is part and parcel of modern culture. What William S Burroughs did with print in the 1950s,...
Reviewed by Tim Cumming in issue: March/2012
Light as a Feather
You’ll find slapped bass, synthesizers and even (whisper it) synth-drums on this reissue. But you’ll also find memorable compositions, soaring...
Reviewed by Mark Sampson in issue: June/2013
Invented Folksongs
Anna Pidgorna is a Ukrainian-Canadian singer and composer, currently residing in Vancouver. Despite this album’s title, her works possess a...
Reviewed by Martin Longley in issue: February/March/2026
Sunlightsquare presents Britannia Shing-A-Ling
There’s a riot going on in Sunlightsquare. This unapologetically ambitious album from this sprawling UK collective sees some 25 musicians...
Reviewed by Jane Cornwell in issue: Jan/Feb/2012
Early Congo Music 1946-1962: First Rumba, to the Real Rumba
Early Congo Music 1946-1962 has been compiled and annotated by Japanese collector Yoshiki Fukasawa. His unusual sub-title comes from the...
Reviewed by Martin Sinnock in issue: November/2019
Tradi-Mods vs Rockers – Alternative Takes on Congotronics
The Congotronics remix album was inevitable, of course. The primitively electrified ambience of Konono No 1 and the Kasai Allstars...
Reviewed by Nigel Williamson in issue: Jan/Feb/2011
Love & Devotion
Qawwali is the devotional music of South Asian Sufis (Islamic mystics) and its most famous exponent, the late Nusrat Fateh...
Reviewed by Jameela Siddiqi in issue: Nov/Dec/2013
Good and Green Again
Like a roiling campfire on a cool autumn night, Columbus, Georgia-born, Durham, North Carolina-based Jake Fussell’s Good and Green Again...
Reviewed by Doug Deloach in issue: March/2022
Electric Eden: Unearthing Britain’s Visionary Music
Rob Young’s book Electric Eden [reviewed in #73] surveyed the British folk tradition in the 20th century and this double...
Reviewed by Tim Cumming in issue: Nov/Dec/2012
If I Greet the Mountains
Giorgis Xylouris, Stelios Petrakis, Periklis Papapetropoulos
It’s a common cliché to compare music to landscape, but it seems particularly appropriate in the dry, rugged but heroic...
Reviewed by Simon Broughton in issue: Apr/May/2010
