Reviews
Le Bonhomme Sept Heures: The Bonesetter
Grosse Isle, the island in the St Lawrence River in Québec, was famously an immigration/quarantine depot for Irish immigrants escaping...
Reviewed by Li Robbins in issue: Aug/Sep/2021
Wotcheor!
The album cover has Jez tilting his boater and grinning into a camera like an old-fashioned MC, as if beckoning...
Reviewed by Tim Cumming in issue: Jan/Feb/2011
Rough Guide to Salsa Dance
Just how much juice is there left to squeeze from the salsa market? Tons, if the recent assembly line of...
Reviewed by Jane Cornwell in issue: October/2010
Silencio
Described by their record label as ‘blending cumbia and existentialism,’ this is the first full album from Ana Karen G...
Reviewed by Martin Sinnock in issue: October/2023
Oye Manita
When a 39-year-old Totó La Momposina arrived in Paris in June 1979 as a refugee from Colombia, she had already...
Reviewed by Chris Moss in issue: November/2018
Baró Drom
Baró Drom, meaning ‘great road’ in the Romani language, nods to flamenco's gitano (gypsy) heritage. Granada born singer de la...
Reviewed by Liam Izod in issue: June/2023
Hikikomori
Acho Estol and Dolores Solá have spent 25 years revivifying tango and other Argentinian and international musical genres with wit,...
Reviewed by Chris Moss in issue: July/2021
Le Bal de l’Afrique Enchantée
All the ingredients are there to make this album a joyous romp through African classics that have shaped generations of...
Reviewed by Anne-Cécile Lafarge in issue: Aug/Sep/2016
Tumbélé! Biguine, Afro & Latin sounds from the French Caribbean 1963-74
In non-Francophone world music camps, Martinique and Guadeloupe were somewhat overlooked in the recent rush for Latin and African music....
Reviewed by Sue Steward in issue: Jan/Feb/2010
