Reviews
The One and The Many
Great things are expected of Muntu Valdo, the Cameroonian musician who turned up in London from Paris three years ago...
Reviewed by Jane Cornwell in issue: June/2011
Me Decidí
Can it really be five years since the last CD from the Duke of bachata, Joan Soriano? No wonder life's...
Reviewed by Philip Sweeney in issue: April/2016
Shalom Salam
Senegalese reggae singer Niominka Bi, whose name means ‘the fisherman’ in the Wolof language, has been around on the French...
Reviewed by Rose Skelton in issue: Apr/May/2010
Mountain Songs and Other Stories
Maxida Märak & Downhill Bluegrass Band
Sámi activist Maxida Märak usually performs dubstep and hip-hop. But a few years ago she heard Steve Earle's ‘The Mountain’,...
Reviewed by Kevin Bourke in issue: Apr/May/2015
Vol 2 – Yet and Still
Too Sad For the Public | Too Sad for the Public
The latest album by Too Sad for the Public, the dynamic musical aggregation led by composer/songwriter/producer Dick Connette, serves as...
Reviewed by Doug Deloach in issue: November/2023
Variations for Piano and Sitar
Andrew Goldberg & Ricky Romain
Sitarist Ricky Romain has long been a stalwart of the South Asian music scene in the UK, working with musicians...
Reviewed by Maria Lord in issue: December/2023
Maiden Voyage
So, 2021’s taste for the sea shanties may be starting to go as stale as a ship’s biscuit, but there...
Reviewed by Billy Rough in issue: May/2022
Mongolia: Kazakh Songs and Epic Traditions of the West
Ethnomusicologist Alain Desjacques made most of these field recordings of Kazakh, Uriangkhai and Zakhchin Mongol musicians in 1984, though some...
Reviewed by Michael Ormiston in issue: Apr/May/2011
El Violento
‘El Violento’? Julio Ernesto Estrada, aka Fruko, who ran for Colombia’s senate in 2013? One hopes not. The veteran of...
Reviewed by Mark Sampson in issue: January/February/2024
Borderlines & Bloodlines
One of the standout folk albums of 2023 in the UK, which almost flew under the radar, Birmingham-based Germa Adan’s Borderlines...
Reviewed by Devon Léger in issue: March 2024
