Reviews
Howay the Lasses
This striking 11-track collection from Howay the Lasses – a quartet featuring Annie Ball (vocals, accordion, piano), Bronwen Davies-Jones (vocals),...
Reviewed by Peter Quinn in issue: March/2023
Francesita
‘Francesita’ is one of several pieces on this fine double album composed by Enrique Delfino, the now near-forgotten pioneer of...
Reviewed by Mark Sampson in issue: Aug/Sep/2018
The Night Dwells in the Day
Jozef Van Wissem | Jozef van Wissem
Josef Van Wissem is on a mission, to transform the image of that ancient instrument, the lute, and “to update...
Reviewed by Robin Denselow in issue: March/2024
Heal & Harrow
At a time when there is a movement afoot to pardon the 4,000 or so women who found themselves at...
Reviewed by Tim Cumming in issue: April/2022
The Art of the Lyra
Talented composer-musician Stelios Petrakis emerged from Ross Daly's teaching workshops in 1999. Daly, a Crete resident and multi-instrumentalist had himself...
Reviewed by Marc Dubin in issue: Jan/Feb/2016
Dedication to Sylvia Rexach
Puerto Rican singer-songwriter Sylvia Rexach was the face of her island's first all-female combo, Las Damiselas, back in the 1950s....
Reviewed by Chris Moss in issue: Jan/Feb/2017
Mariage
The Wau Wau Collectif was formed by Karl-Jonas Winqvist from Sweden with an eclectic group of 20 Senegalese contributors after...
Reviewed by Nigel Williamson in issue: December/2022
In My Own Time
Karen Dalton, who died in 1993 at age 55, was for a brief period in the 1960s the darling dark...
Reviewed by Doug Deloach in issue: May/2022
Cabaret of Death
Unfortunately I haven’t yet seen the Polish drama documentary Cabaret of Death, which won a Prix Italia last year. Directed...
Reviewed by Simon Broughton in issue: March/2016
Independence Ska and the Far East Sound
The Skatalites' brief original existence from 1963 to 1965 surely marks them out as one of the most influential bands...
Reviewed by Garth Cartwright in issue: October/2017
