Reviews
The Hind Wheels of Bad Luck
In an era in which female folk voices are either breathy and virginal or histrionic and attention-seeking, Cath Tyler’s voice...
Reviewed by Matthew Milton in issue: Apr/May/2010
Silt
While US-based Sudanese singer Alsarah appeared on our radar last year with her work as part of the Nile Project,...
Reviewed by Alexandra Petropoulos in issue: July/2014
H
Oud player Grégory Dargent is best known for his collaborations with Algerian singer Houria Aïchi and French pianist-singer Babx. He...
Reviewed by Daniel Brown in issue: July/2019
Fado
It's been a while since Jorge Fernando has been in the public eye. Having scored a couple of pop hits...
Reviewed by GonÇalo Frota in issue: June/2010
At Home
This album certainly has an arresting start. Sakar Khan saws his bow across the strings of his kamancha and repeats...
Reviewed by Simon Broughton in issue: July/2014
Black Robert
Since releasing theirsecond album, Brule Lentement [reviewedin #68], which wasinfluenced by TheClash as well as 1920s zydeco squeezebox supremo AmedeArdoin,...
Reviewed by Julian May in issue: March/2011
Nocturno
Gianni Iorio & Pasquale Stafano
Ever since Astor Piazzolla relocated to Milan in 1973 to spend a decade experimenting and recording blistering, audacious albums such...
Reviewed by Chris Moss in issue: October/2016
Bem-Vinda Amizade
Even those with only a passing interest in Brazilian music will have heard the song ‘Mas Que Nada’ – a...
Reviewed by Alex Robinson in issue: May/2022
Viimane Suusataja
Estonian duo Puuluup were absolutely one of the highlights of the last Tallinn Music Week I attended in 2019. Ramo...
Reviewed by Simon Broughton in issue: January/February/2022
Mabrouk
The polyrhythms of Gnawa music have long lent themselves to jazz: Pharaoh Sanders, Don Cherry and Bill Laswell all famously...
Reviewed by Jane Cornwell in issue: Aug/Sep/2011
