Is there no end to this stuff? The World Ends is the third album of vintage Nigerian sounds released on...
Reviewed by Nigel Williamson in issue: October/2010
Uruguay, along with Chile and Argentina, is prone to identity crises when it comes to defining its musical legacy. It...
Reviewed by Chris Moss in issue: April/2017
This meticulously recorded disc aims to push the boundaries of Coimbra fado in the same way many have already done...
Reviewed by Michael Macaroon in issue: Jan/Feb/2015
Perhaps we can forego debating the tastiness of the mouse-on-a-stick, a Malawi delicacy hawked by this eight-piece combo when they...
Reviewed by Martin Longley in issue: Apr/May/2014
Kohesia Ensemble is a mix of Persian and Western musicians whom Australian bassist Kate Pass has brought together, and this...
Reviewed by Tom Newell in issue: January/February/2022
Oles Brothers & Jorgos Skolias
The concept behind this album is intriguing: the reimagining of Sephardic songs in a setting for drums and double bass;...
Reviewed by Maria Lord in issue: December/2015
Ethio-jazz- and Afrobeat-inspired groups are a ubiquitous presence at music festivals these days, with new album releases appearing year after...
Reviewed by James Catchpole in issue: February/March/2026
Palestine's first ever hip-hop group, DAM (meaning ‘It Lasted’ in Arabic) has finally reached Western shores with two of their...
Reviewed by Yousif Nur in issue: October/2017
Where do you even begin to start with the situation in the Middle East? So many artists have tried to...
Reviewed by Nathaniel Handy in issue: April/2018
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