Reviews
Nimissa
This brave and original kora rock band from Guinea have made both startlingly extraordinary and some plainly nondescript albums, but...
Reviewed by Rose Skelton in issue: July/2012
Café Musique
A kind of one-man Cape Verdean chamber group, Rufino Almeida (also known as Bau), has plucked a steady course through...
Reviewed by Brendon Griffin in issue: July/2010
The Art of the Cheolhyeongeum Sanjo
Sanjo is a popular Korean folk-art genre that builds as a sequence of movements, beginning slow and emotional, gradually increasing...
Reviewed by Keith Howard in issue: March/2016
Hive
Gamelan Madu Sari have been operating out of Vancouver for nearly a quarter of a century, ever since a Javanese...
Reviewed by John Whitfield in issue: Nov/Dec/2010
Solas an Lae
Eoghan Ó Ceannabháin & Ultan O'Brien
Fiddler Ultan O'Brien and singer Eoghan Ó Ceannabháin have been one of Ireland's best-kept secrets in recent years. Having first...
Reviewed by Michael Quinn in issue: March/2021
Sodjan
If ngoni virtuoso Makan Badje Tounkara looks like he might be out to cash in on Bassekou Kouyaté's extraordinary success...
Reviewed by Mark Hudson in issue: Apr/May/2012
Neon Colonialismo
It's ten years since musical free radical Batida, aka Pedro Coquenão, exploded into my dance floor set with his Batida...
Reviewed by Max Reinhardt in issue: December/2022
In Concert
Kartik Seshadri & Anindo Chatterjee
Kartik Seshadri is probably the best sitar player of his generation and is considered a leading exponent of this most...
Reviewed by Jameela Siddiqi in issue: March/2010
2017
Born near Gao in northern Mali, Gobi certainly has an arresting voice. Her high-pitched, nasal timbre slices mercilessly through the...
Reviewed by Nigel Williamson in issue: Jan/Feb/2018
The Rough Guide To Acoustic Africa
Those who read the recent debate in Songlines about global hip-hop and share a fear that the ubiquity of rap...
Reviewed by Nigel Williamson in issue: June/2013
