Reviews
Let Me Out
War is not always amenable to great art. Feelings of horror, loss and grief give rise to a sense that...
Reviewed by Robert Rigney in issue: March/2023
A Nigerian Retrospective 1966-79
Soundway are on a roll at the moment, with new projects and compilations such as this that steadily mine the...
Reviewed by Chris Menist in issue: Jan/Feb/2013
1000 Can Die
It’s as absurd to generalise about African albums as it would be American or European albums. But over the years...
Reviewed by Howard Male in issue: May/2017
Vamos a Bailar un Son (Special Edition)
Eliades Ochoa | Eliades Ochoa & Alejandro Almenares
A new record by the greatest living exponent of eastern Cuban traditional son, showcasing again his unmistakeable nasal guajiro voice...
Reviewed by Philip Sweeney in issue: December/2022
The Art of the Portuguese Fado Guitar
Custódio Castelo is one of today's finest players of the 12-stringed Portuguese guitar. He is perhaps best known as the...
Reviewed by Michael Macaroon in issue: July/2011
Ghalia Benali sings Oum Kalthoum
A subtle sifting through the Kalthoum songbook. Raised in Tunisia but now living in Brussels, Ghalia Benali has explored many...
Reviewed by Neil van der Linden in issue: October/2010
Leila
The competition is getting tough out in the Saharan desert, but singer Leila Gobi fares well with her eponymous third...
Reviewed by Martin Longley in issue: July/2015
Impredecible
After plugging away through various stylistic incarnations, from the ska of their debut to the guitar-based cumbia of their subsequent...
Reviewed by Russ Slater in issue: Jan/Feb/2016
Chili Houritki
One of the few singers from Chad to emerge onto the international stage, Mitchala was first heard of half a...
Reviewed by Nigel Williamson in issue: Apr/May/2012
The Hindustani Jazz Sextet Live at the UCLA
This live record is a charming time capsule, taking us back to the swinging 60s and the first fumblings of...
Reviewed by Liam Izod in issue: August/September/2022
