Reviews
Life’s What You Make It
In 2018, Lush co-founder Mark Constantine released a triple-vinyl set, Self Preservation Society, featuring new versions of classic rock/pop from...
Reviewed by Tim Cumming in issue: July/2022
They Will Have to Kill Us First: Original Soundtrack
The debut film from director Johanna Schwartz, They Will Have to Kill Us First, was released in 2015 and compellingly...
Reviewed by Nigel Williamson in issue: December/2016
Sequana
Since winning best newcomer at the inaugural BBC Radio 3 World Music awards 20 years ago, Massi’s career has followed...
Reviewed by Nigel Williamson in issue: November/2022
Makes a King
The Very Best are a duo, Johan Hugo and Esau Mwamwaya, who met in London's Hackney. They won a good...
Reviewed by Garth Cartwright in issue: June/2015
Akofa Akoussah
Togolese singer Akofa Akoussah died in 2007 aged just 57 and this – originally recorded and released by the French...
Reviewed by Charlotte Algar in issue: March/2019
Taoba
A new group from the Solomon Islands, Kaumaakonga hail from the small southern isles of Mungava and Mungiki (jointly referred...
Reviewed by Seth Jordan in issue: October/2019
There is No End
When this reviewer interviewed Allen for Songlines in 2020 just before lockdown, we talked mostly about Rejoice, his collaborative album...
Reviewed by Nigel Williamson in issue: July/2021
Vol 2 – Yet and Still
Too Sad For the Public | Too Sad for the Public
The latest album by Too Sad for the Public, the dynamic musical aggregation led by composer/songwriter/producer Dick Connette, serves as...
Reviewed by Doug Deloach in issue: November/2023
If Wishes Were Horses
You get the feeling that if Kris Drever were to sing ‘My Way’, the ‘regrets, I’ve had a few’ line...
Reviewed by Tim Cumming in issue: May/2016
