Reviews
Supreme Talent Show
Upon listening to this album, it is clear that MC Waraba and Mélèké Tchatcho deserve the confidence their album title...
Reviewed by Brian Taylor in issue: Aug/Sep/2019
Sones Jarochos y Huastecos y Más
Everybody knows at least one son jarocho, even if they don’t realise it, and chances are they heard it while...
Reviewed by Chris Moss in issue: May/2018
Ipê
This is the second release from the Paris-based trio comprised of Brazilians Pablo Schinke and José Ferreira on cello and...
Reviewed by Michael Galea in issue: July/2019
La Guitarra: Mi Vida
Juan Martín & Chaparro de Málaga
A sometime collaborator with Miles Davis and Herbie Hancock, Juan Martín is one of the most versatile flamenco guitarists currently...
Reviewed by Chris Moss in issue: Aug/Sep/2015
Coming Home
Ghanaian highlife appears to be regaining its popularity of late, and those who witnessed Pat Thomas at WOMAD in July...
Reviewed by Martin Longley in issue: November/2016
O Método
Since he left Madredeus in 1994, Rodrigo Leão has established himself as a masterful songwriter, working on a sort of...
Reviewed by GonÇalo Frota in issue: June/2020
Nedaye Asemani
The spiritual but contagious excite¬ment that we have come to associate with Iranian classical music is abundantly present on this...
Reviewed by Neil van der Linden in issue: Jan/Feb/2011
Floating Letters
I’ve waxed lyrical about Tsuumi Sound System in the past, praising them for their brilliant approach to bringing together Finnish...
Reviewed by Fiona Talkington in issue: October/2013
