Reviews
Sir Fôn Bach
Llio Rhydderch was moved to arrange ‘Anhawdd Ymadael’, the penultimate tune of this very beautiful album, because the elegy ‘Marwnad...
Reviewed by Julian May in issue: December/2019
None the Wiser
If you're looking for one of the finest contemporary poet-singers in England, look no further than the man with an...
Reviewed by Tim Cumming in issue: Aug/Sept/2013
Past Present Future
He may be almost 80, but Manu Dibango shows no sign of slowing. Both his sax playing and extraordinary basso...
Reviewed by Tim Woodall in issue: July/2012
Quinto
Little by little, Antonio Zambujo has been expanding his musical universe up to the point where it doesn't really matter...
Reviewed by GonÇalo Frota in issue: Jan/Feb/2013
The Old Songs
Damien Barber is the singer, concertina and guitar-player and ambitious imagin¬ation driving the Demon Barbers who, rather than concerts, present...
Reviewed by Julian May in issue: Jan/Feb/2012
50 Years
When the definitive history of Irish folk music comes to be written, The Dubliners will loom large and long in...
Reviewed by Michael Quinn in issue: Apr/May/2013
Dub Revolutionaries
Dub music may have originated in the Caribbean but it has mutated over the decades. When the first waves of...
Reviewed by Ed Stocker in issue: Aug/Sep/2011
Wisdom and Insight
Any listeners’ fears that Tibetan ritual music may be too challenging or austere are readily dispelled by this latest release...
Reviewed by Mark Trewin in issue: July/2012
Cille Bhrìde (Kilbride)
Cille Bhride builds on the huge success of Kathleen Maclnnes’ Ò g-Mhadainn Shamhraidh, and whilst the album doesn’t fully reach...
Reviewed by Billy Rough in issue: Jan/Feb/2013
2 Times Revolution
The Sicilian-born but Jamaican-based singjay and multi– instrumentalist Alberto ‘Alborosie’ D'Ascola first came to attention with a series of rootsy...
Reviewed by Neil Foxlee in issue: October/2011
