Reviews
Bullinn
Bullinn is the third album from the Norwegian Hardanger fiddler (and prize-winning fiddle maker) Ottar Kåsa, jazz musician Mattis Kleppen...
Reviewed by Merlyn Driver in issue: Aug/Sep/2019
The River
The River is Napier's first solo album, and a rather intriguing and exciting one it is too. Napier is a...
Reviewed by Billy Rough in issue: June/2016
The Village Out West: The Lost Tapes of Alan Oakes
This two-CD compilation broadens the historical scope of the American folk revival of the 1960s to include the San Francisco...
Reviewed by Doug Deloach in issue: January/February/2022
Este Fado
When in doubt about a new fado voice, look for Carlos do Carmo’sendorsement. If his name shows up in a...
Reviewed by Gongalo Frota in issue: July/2012
Transitional Times
Bai Konté, the grandfather of Dawda Jobarteh, was responsible for some of the classical kora repertoire still played today and...
Reviewed by Nigel Williamson in issue: Jan/Feb/2017
Cajun Accordion Kings (and the Queen)
Valcour Records is run by Joel Savoy – of the celebrated Savoy Family Cajun Band – and he does a...
Reviewed by Garth Cartwright in issue: November/2017
El Mito de la Pérgola
If any musician is going to reconfigure the airy strangeness of Andean music, Chilean singer Pascuala Ilabaca might be the...
Reviewed by Chris Moss in issue: December/2018
Sequana
Since winning best newcomer at the inaugural BBC Radio 3 World Music awards 20 years ago, Massi’s career has followed...
Reviewed by Nigel Williamson in issue: November/2022
A Gathering of Strangers 2021
Transglobal Underground & Our European Friends
A Gathering of Strangers first saw light in 2010 when it was released by a pan-EU collective headed by dubtronic...
Reviewed by Jim Hickson in issue: June/2021
Tutku
Kalaha + Hilal Kaya with Aarhus Jazz Orchestra
Danish quartet Kalaha first tackled a Turkish tune on their third album, 2019’s Mandala, which was also the first time...
Reviewed by Daniel Spicer in issue: November/2022
