Reviews
Sara Correia
Occasionally, a new voice reminds us that traditional fado is still very much alive and proves that the pop or...
Reviewed by GonÇalo Frota in issue: November/2019
This is Tehran?
Getting their music heard outside of Iran can be tricky for artists working in the oppressive environment enforced by the...
Reviewed by Tom Newell in issue: July/2021
Full Attack, With Sudden Defences
Things gets off to a compelling start with ominous double bass, loose splashy drums, and a snatch of film noir-ish...
Reviewed by Howard Male in issue: Jan/Feb/2012
The Rough Guide to World Jazz
For a long time, the Rough Guide series was indispensable for world music fans. Within one CD, they would take...
Reviewed by Jim Hickson in issue: December/2019
Free the System
About this album, Dandana say ‘the old system can’t easily deal with young or new ideas.’ In a time where...
Reviewed by Jim Hickson in issue: October/2020
Fado: Coimbra-Lisbonne 1949-1961
Having Alfredo Marceneiro, Amalia Rodrigues, Lucília do Carmo, Fernando Farinha, Maria Teresa de Noronha and Hermínia Silva on one record...
Reviewed by GonÇalo Frota in issue: Nov/Dec/2013
The Rise Up
Mehmet Ali Sanhkol & Whatsnext?
Mehmet Ali Sanlikol already sings, plays ney, zurna and oud, but that doesn’t discourage this Turkish-American from penning The Rise...
Reviewed by Martin Longley in issue: October/2020
Songs of Jezireh
Jezireh, which means ‘island’ in Arabic, is an area of north-east Syria with a distinct identity. It lies on the...
Reviewed by Bill Badley in issue: October/2010
