When one hears of a duo comprised of Portuguese guitar and classical guitar, fado understandably pops into mind. But although...
Reviewed by GonÇalo Frota in issue: June/2024
Piers Faccini & Ballaké Sissoko
The British-Italian folk songwriter Piers Faccini and the Malian kora player Ballaké Sissoko (Taj Mahal, Toumani Diabaté, Derek Gripper) first...
Reviewed by Jane Cornwell in issue: April/2025
Mali’s Nfaly Diakité is a virtuoso of the donso ngoni, an eight-stringed antelope skin harp favoured by the donsow, the...
Reviewed by Paul Bowler in issue: December/2024
Sudeshna Bhattacharya & Mosin Khan Kawa
Norway-based Sudeshna Bhattacharya is one of very few female sarod players, having begun training aged just eight, initially with her...
Reviewed by Jameela Siddiqi in issue: June/2025
VARIOUS ARTISTS | Various Artists
It’s been six years since Bongo Joe’s first volume of sounds from these two former Portuguese colonies in the equatorial...
Reviewed by Mark Sampson in issue: May/2026
The Kalevala, a 19th-century Finnish epic, inspired this mostly improvised dialogue between two of the country’s foremost folkies. Maria Kalaniemi...
Reviewed by Wif Stenger in issue: May/2026
Sometimes it’s hard to hear a song for the first time. That’s certainly the case for me with Delfina Cheb’s...
Reviewed by Chris Moss in issue: October/2020
The term ‘Cape jazz’ was apparently first used as recently as 1993 as the title of a compilation album on...
Reviewed by Nigel Williamson in issue: March/2021
The Armenian composer Gomidas (1869-1935), usually transliterated as Komitas, is considered the father of Armenian music. While the conservatoire in...
Reviewed by Simon Broughton in issue: Apr/May/2012
Alison Perkins & Nicolas Brown
All Covered with Moss, the debut offering from Detroit, Michigan-based duo Alison Perkins and Nicolas Brown, arrives as the pair...
Reviewed by Michael Quinn in issue: April/2017
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