The story of how Israeli singer and guitarist David Broza's new album La Mujer Que Yo Quiero came about is...
Reviewed by Nathaniel Handy in issue: May/2023
Ya Tengo lo Que Quería! doesn’t sound like an album made in London. In that sense it’s great evidence of...
Reviewed by Russ Slater in issue: July/2013
Welcome to the Radie Peat academy of drone singing, for the powerful example of Lankum and how they have turned...
Reviewed by Tim Cumming in issue: Aug/Sept/2020
It's 12 years now since Congotronics, the debut album of Konono No 1, but their manic roots energy continues to...
Reviewed by Max Reinhardt in issue: May/2016
Mahmoud Ahmed & The Imperial Bodyguard Band
This latest release in the long running Éthiopiques series is very much a game of two halves. The opening five...
Reviewed by Chris Menist in issue: Nov/Dec/2010
This is the second album from the Campbells of Greepe – hailed as one of the great singing families in...
Reviewed by Tim Cumming in issue: July/2014
Globe-trotting producer Captain Planet calls his personal style ‘gumbo funk’ – all manner of flavours brought together and bubbled into...
Reviewed by Jim Hickson in issue: November/2020
Take the surf versions of Middle Eastern folk tunes ‘Misirlou’ and ‘Hava Nagila’. Blend them with dub, 1960s Iranian pop...
Reviewed by Wif Stenger in issue: June/2018
The idiomatic expression Juan Carlos Cáceres uses for the title of this album – his third with percussionist Marcelo Russillo...
Reviewed by Chris Moss in issue: Apr/May/2011
Deceptively, No New Summers opens with ‘No Spring Chicken’ – five minutes of solo American primitive John Fahey-style guitar. The...
Reviewed by Tony Gillam in issue: July/2025
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