Reviews
Rumba Argelina
When Rumba Argelina blasted the late Benjamín Escoriza and his Moorish sidemen to the fore of Spanish flamenco fusion in...
Reviewed by Chris Moss in issue: Jan/Feb/2020
Natural Angle
Nearing the end of their first decade together, Gráda have returned to the recording studio for the first time since...
Reviewed by Michael Quinn in issue: July/2010
Live in Concert
Chris Stout's Brazilian Theory
Fiddler Chris Stout comes from Fair Isle, which lies between Orkney and Shetland, north-east of the Scottish mainland, famous for...
Reviewed by Julian May in issue: Nov/Dec/2011
The Rough Guide to the Music of Hungary
There has been renewed activity and invention on the Hungarian folk scene in recent years, as a new generation has...
Reviewed by Simon Broughton in issue: Nov/Dec/2012
The Right Combination
Joel Savoy, Jesse Lege & the Cajun Country Revival
Joel Savoy (pronounced the Cajun French way, ‘Joelle Savoie’) has become a central figure in the ‘Acadian Uprising’, a second-generation...
Reviewed by Roger Hahn in issue: July/2011
Good Times of Old England
Span are still a touring and recording band, like their 70s folk-rock compatriots Fairport, and a good portion of their...
Reviewed by Tim Cumming in issue: August/September/2022
The Broken Tongue
Daniel Kahn & The Painted Bird
The much talked-about Yiddish revival has one of its most eloquent advocates in the American accord¬ionist and Berlin resident, Daniel...
Reviewed by Lemez Lovas in issue: Aug/Sep/2010
American Radical Patriot
There is a certain irony that America’s great hobo poet, whose songs packed such a punch because they were so...
Reviewed by Nigel Williamson in issue: March/2014
Geodesia
Luís Peixoto belongs to a certain category of musicians that keep going back and forth, into and out of the...
Reviewed by GonÇalo Frota in issue: June/2021
An Introduction to Ewan MacColl
Ewan MacColl was hugely important in the folk revival of the mid-20th century. He worked first in radical theatre, acting...
Reviewed by Julian May in issue: July/2018
