The tar (lute) and kamancheh (spike fiddle) are both originally Persian instruments, but talking to musicians in the region, it’s...
Reviewed by Simon Broughton in issue: June/2013
After the success of her critically acclaimed album of last year, Ghalia Benali Sings Oum Kalthoum, her 2006 album Romeo...
Reviewed by Neil van der Linden in issue: Nov/Dec/2011
This is Baobab-Gateway's debut album, featuring a unique combination of traditional West African, Ugandan and modern instruments. Tanzanian-born Dougie Hudson...
Reviewed by Louise Ungless in issue: Apr/May/2012
Marking the first, according to the PR, duo harp and Manx Gaelic vocal album to be released, Lossan (meaning ‘Light’...
Reviewed by Billy Rough in issue: November/2022
The American folk¬blues guitarist Eric Bibb is hardly in the same legendary league as Ry Cooder or Taj Mahal. Nor...
Reviewed by Nigel Williamson in issue: Jan/Feb/2013
Even though the title is pretty terrible, there’s an elegant charm about this Sheffield-based collective’s debut that’s missing from many...
Reviewed by Howard Male in issue: Jan/Feb/2010
Is there no end to this stuff? The World Ends is the third album of vintage Nigerian sounds released on...
Reviewed by Nigel Williamson in issue: October/2010
The legendary and mysterious Jah Shaka has been the UK’s leading roots and culture sound-system operator since the early 70s,...
Reviewed by Neil Foxlee in issue: Jan/Feb/2010
Nigerian bassist and composer Michael Olatuja has spent most of his life in three cities: first Lagos, then London, and...
Reviewed by Martin Longley in issue: October/2020
Frente Cumbiero meets Mad Professor
Guyana-born dub master Mad Professor certainly gets around. The list of international collaborators he has worked with is pretty exhaustive,...
Reviewed by Ed Stocker in issue: March/2012
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