Reviews
The Blue Road
World music fusion comes in many shapes and forms but, in the case of Colombian bassist Juan Garcia-Herreros (aka Snow...
Reviewed by Charles De Ledesma in issue: December/2016
Lulu
In 2021, Good Morning Bedlam ran a Kickstarter campaign to fund their third full-length album. Fans from around world pledged...
Reviewed by Doug Deloach in issue: June/2022
Alrededor de la Húmisha: La Música de los Conjuntos Típicos Amazónicos de Perú
From the mid-1960s, musicians in Peru’s Amazon region began to record the hybrid folk styles that had evolved over five...
Reviewed by Chris Moss in issue: June/2022
Wonderland
The first thing that hits you is the voice. Bright, clear, high-pitched, as sharply faceted as polished amethyst, tinged with...
Reviewed by Doug Deloach in issue: December/2022
Operette
Marseille's favourite sons, Moussu T e lei Jovents, finally get round to their town's classic traditions. Marseille's operette music hall...
Reviewed by Philip Sweeney in issue: Nov/Dec/2014
Addis to Omega
Those familiar with the heavily Ethiopian-influenced band heard on the last three Dub Colossus albums will hardly recognise this new...
Reviewed by Howard Male in issue: Aug/Sep/2014
Schimpelsberger Circle of Sound
Soumik Datta is Britain's most exciting sarod player, both in Indian classical and new experimental music. This disc, with Austrian-born...
Reviewed by Simon Broughton in issue: June/2012
I’m a Dreamer
Prolific American singer-songwriter Josephine Foster has an eclectic back catalogue with projects including reinterpretations of 19th-century German art song, musical...
Reviewed by Tim Woodall in issue: Jan/Feb/2014
Aam Zameen: Common Ground
This really shouldn't work. Take the opening track, ‘Musst Musst’, made famous by the classic version by Nusrat Fateh Ali...
Reviewed by Peter Culshaw in issue: Nov/Dec/2011
