The first track of Besh o droM's new album, ‘Atom Csocsek’, kicks off with a low-slung bassline coupled with rousing...
Reviewed by Robert Rigney in issue: Aug/Sept/2020
This third album shows how Vula Viel have very quickly become a band whose new releases you breathlessly await and...
Reviewed by Max Reinhardt in issue: May/2020
Starting life as a book, it was inevitable that Dan Walsh would end up recording his dream project, O’Neill's Tunes....
Reviewed by Glenn Kimpton in issue: May/2023
Dantchev:Domain | DANTCHEV:DOMAIN
Atmospheric and cinematic, The Lions We Are is a journey across spaces and sensations. Permeated by a playful experimentalism, this...
Reviewed by Celeste Cantor-Stephens in issue: August/September/2022
Catalan band Txarango have been hailed as the grupo revelación, or next big thing, in the Spanish press. Taking their...
Reviewed by Chris Moss in issue: March/2013
One of my enduring WOMAD memories is of a cold, wet, muddy night in 2007 when the seven-piece Finnish band...
Reviewed by Fiona Talkington in issue: November/2017
Constantinople expands the constellation of projects begun in 1998 by Iranian-Canadian setar (lute) player Kiya Tabassian. Passages features three other...
Reviewed by Francesco Martinelli in issue: November/2016
The Russian-born, New York-based DJ Vadim returns with another fast-paced reggae volume under the pseudonym Dubcatcher, this time pulling in...
Reviewed by Clyde Macfarlane in issue: June/2016
We first profiled Super Parquet two years ago (in #134); now they're finally here with a debut to follow 2015's...
Reviewed by Jim Hickson in issue: April/2020
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