Reviews
Lost Voices
It's tempting to say that the stories recounted in song form on Lost Voices eclipse the songs themselves. But that...
Reviewed by Doug Deloach in issue: May/2023
What We Thought Was a Lake Was a Field of Flax
Tyler and Hill first met in Newcastle, singing as part of the Sacred Harp sessions, with Hill adding vocals to...
Reviewed by Tim Cumming in issue: November/2022
Music in the Realm of Fireflies: Improvisations for Peace and Healing
This is meditative music, created by a group of Japanese and Japan-based musicians playing Japanese, Chinese, Indian, Korean, and Mongolian...
Reviewed by Keith Howard in issue:
El Saxofón Humano
Fear not, listeners. Contrary to the impression created by his nickname, Aquilino Calzado González is not the even more irritating...
Reviewed by Philip Sweeney in issue: Apr/May/2015
The Hum
A neighbour of Belinda O'Hooley and Heidi Tidow brought them news that the sale of a house close by had...
Reviewed by Julian May in issue: Apr/May/2014
Mirante
Inspired by his visits to Brazil, Canadian composer and instrumentalist Storring applies contemporary composition techniques to convey the impressions which...
Reviewed by Andy Cumming in issue: May/2025
Your Comfort Zone
Cumbia grooves, salsa horn riffs and calls to rebellion coalesce on this bombastic record. Opener ‘You are the Revolution’ could...
Reviewed by Liam Izod in issue: October/2025
Blue White Gold
It has already been a decade since Danes Rune Tonsgaard Sørensen (fiddle), Nikolaj Busk (piano and accordion) and Swede Ale...
Reviewed by James Roriston in issue: Aug/Sept/2020
They Will Have to Kill Us First: Original Soundtrack
The debut film from director Johanna Schwartz, They Will Have to Kill Us First, was released in 2015 and compellingly...
Reviewed by Nigel Williamson in issue: December/2016
Europeana
Jaune Toujours are the rambunctious and eclectic Belgian sextet led by singer and accordionist Piet Maris. This is their first...
Reviewed by Tim Cumming in issue: Jan/Feb/2019
