Eoghan Ó Ceannabháin & Ultan O'Brien
Fiddler Ultan O'Brien and singer Eoghan Ó Ceannabháin have been one of Ireland's best-kept secrets in recent years. Having first...
Reviewed by Michael Quinn in issue: March/2021
Fela Kuti’s vast and sprawling catalogue has been repackaged and repurposed, anthologised and annotated countless times since his death in...
Reviewed by Nigel Williamson in issue: March/2022
Like a balding prog-rock lover at a record fair, European labels and DJs continue to trawl Brazil's 1970s back catalogue...
Reviewed by Alex Robinson in issue: July/2011
Born near Gao in northern Mali, Gobi certainly has an arresting voice. Her high-pitched, nasal timbre slices mercilessly through the...
Reviewed by Nigel Williamson in issue: Jan/Feb/2018
For younger listeners who take for granted easy access to global music, it's hard to imagine the giddy feeling of...
Reviewed by Doug Deloach in issue: April/2020
Having taken a five– year gap between his first two albums and forced us to endure a three–year wait, no...
Reviewed by Michael Quinn in issue: Apr/May/2010
On Corsica the human voice reigns supreme, rooted in a polyphonic tradition revived on a wave of nationalism, the riacquistu...
Reviewed by Andrew Mcgregor in issue: Nov/Dec/2011
You could treat the surprise success of the Sachal Studios Orchestra’s version of Dave Brubeck’s ‘Take Five’ either as a...
Reviewed by Peter Culshaw in issue: Jan/Feb/2014
Kayhan Kalhor & Ali Bahrami Fard
Iranian kamancheh player Kayhan Kalhor is one of the world's most sublime musicians. If he's not a better-known name, it's...
Reviewed by Simon Broughton in issue: March/2012
From the first notes this sounds like Nobel Prize material, if the committee ever decided that making people dance deserved...
Reviewed by Philip Sweeney in issue: Jan/Feb/2014
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