Reviews
Aw Sa Yone Vol 2
In the early 1980s in the city of Thies in Senegal, a group recorded approximately two-and-a-half hours of music that...
Reviewed by Martin Sinnock in issue: March/2016
The Fragile
O’Hooley & Tidow were mightily impress¬ive at the Nowt So Queer as Folk concert at Cecil Sharp House, the home...
Reviewed by Julian May in issue: March/2012
20 Years
‘As you know, we play music of various countries and peoples,’ says vocalist Mitia Khramtsov in Russian on the live...
Reviewed by Simon Broughton in issue: Jan/Feb/2019
String on String
County Antrim harpist, fiddler and vocalist Amy McAllister's pleasingly bright and lyrical voice calls to mind the once ubiquitous Mary...
Reviewed by Michael Quinn in issue: October/2017
Yiddish Journey: The Music of Lenka Lichtenberg
For better or worse, Jewish song often contends with a dizzying array of demands, from dealing with painful memory to...
Reviewed by Tommie Black-Roff in issue: May/2016
Finish the Sun
Shane Cooper & MABUTA are often referred to as part of a new wave of South African jazz artists. But...
Reviewed by Diane Coetzer in issue: July/2022
Sociedade Recreativa
There's something about the off-kilter charm of the music of north-east Brazil that can sometimes be more appealing than the...
Reviewed by Howard Male in issue: June/2016
History
Whereas Salif Keita's recent album, Un Autre Blanc [reviewed in #146], only featured a lone foray into AutoTune vocals, the...
Reviewed by Martin Longley in issue: July/2019
I Used to Be Sad & Then I Forgot
Professional photographer-turned-singer-songwriter Mr Alec Bowman may have swapped the darkroom for the recording studio but it still doesn't seem to...
Reviewed by Russell Higham in issue: July/2020
