Damian McKee, Gudrun Walther & Aaron Jones
Over the last 15 years, Damian McKee (button box) of Beoga, Gudrun Walther (fiddle, vocals) from CARA and Aaron Jones...
Reviewed by Kevin Bourke in issue: November/2022
Dawda’s father Amadu Bansang Jobarteh was in effect the official kora player to Gambia’s first president, and he named his...
Reviewed by Nigel Williamson in issue: April/2022
Richard Durrant & Ismael Ledesma
The harp rose to prominence in the monkish missions of southern South America. In Paraguay, where rural society has survived...
Reviewed by Chris Moss in issue: October/2017
This is the 25th anniversary of both Lounès Matoub's assassination and the original release of this, his final album, and...
Reviewed by Robin Denselow in issue: October/2023
Readers may be familiar with Parisian oud player Kamilya Jubran for her collaborative work with Swiss based trumpeter and electro-pioneer...
Reviewed by Robert Rigney in issue: November/2020
Ilkka Heinonen Trio | Pekko Käppi & K:H:H:L
You’ve got to admire the Finns. They revive one of the world's most unpromising instruments – the jouhikko, a rather...
Reviewed by Simon Broughton in issue: Aug/Sep/2015
Let's start by introducing Gasper Nali's instrument, which is known as a babatoni. Once seen, it's never forgotten. It is...
Reviewed by Martin Sinnock in issue: March/2016
The birth of her first child inspired the Iranian-born Canadian resident Azam Ali to record an album of lullabies as...
Reviewed by Nigel Williamson in issue: Aug/Sep/2011
Moreno & L’Orchestra First Moja-One
While visiting my brother in Nairobi in 1983, we went to a nightclub and heard Batamba Wenda Morris (aka Moreno)....
Reviewed by Alastair Johnston in issue: Nov/Dec/2012
Parental guidance: multitude of guest artists. The rapper Common, for example, (dis)graces the opening track on the venerable Mr Mendes'...
Reviewed by Mark Sampson in issue: April/2020
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