Reviews
Daqa'iq Tudaiq
Away from his work with various North American alt-rock bands such as Suuns and BIG|BRAVE, the Canadian-based composer/producer Radwan Ghazi...
Reviewed by Nigel Williamson in issue: December/2018
Bays
Aotearoa's (or New Zealand's) hi-tech, self-described ‘seven-headed soul monster’ doesn’t make studio albums in any sort of haste. This eagerly...
Reviewed by Jon Lusk in issue: Jan/Feb/2016
Lost
For this new recording with her partner Graham Fitkin, Scottish harpist Ruth Wall employs both Gaelic wire-strung harp and concert...
Reviewed by Tim Cumming in issue: March/2016
London Calling
The occasionally forced-sounding jollity of some klezmer might make it a bit of an acquired taste for many, but this...
Reviewed by Jon Lusk in issue: October/2014
Dingue Marrow
Mohsen Sharifian and Lian Music Band
A recent trend among popular musicians in Iran has been the creation of fusions of various kinds, including mixing traditional...
Reviewed by Laudan Nooshin in issue: May/2016
African Anthology: African Guitars
The task of selecting songs for compilation albums of the Lusafrica label is probably not too difficult, due to the...
Reviewed by Martin Sinnock in issue: Aug/Sep/2012
This House Will Stand
For this Best Of set, Oysterband have compiled a disc of choice cuts from across their late-90s and post-2000s career,...
Reviewed by Tim Cumming in issue: July/2016
Strangers
The Teesside vocal trio of Sean Cooney, David Eagle and Michael Hughes have captured hearts – and awards – with...
Reviewed by Tim Woodall in issue: November/2017
Canaich
As is traditional for a Scottish Highland male, fiddler Duncan Chisholm isn’t one to get too demonstrative in the material...
Reviewed by Sue Wilson in issue: October/2010
Jiw
It took eight years of personal introspection and musical exploration for the Dakar-based Sahad Sarr to bring out his debut...
Reviewed by Daniel Brown in issue: July/2017
