The curse of the music journalist is that sometimes you just can’t find the words to write about your favourite...
Reviewed by Devon Léger in issue: April/2026
The ten seconds of ghostly harmonium that comprises this album's prelude comes courtesy of iconic French actor Denis Lavant (as...
Reviewed by Brendon Griffin in issue: October/2019
Maria Bethânia is most famous outside Brazil as Caetano Veloso’s sister. But within Brazil she is as big a star...
Reviewed by Alex Robinson in issue: Jan/Feb/2012
Galway-born multi-instrumentalist and vocalist Clare Sands has been making a name for herself on the Irish and international live circuit...
Reviewed by Michael Quinn in issue: December/2022
Cristina Branco is a conceptualist. Each of her albums, ever since 2003's debut Sensus, approaches fado according to a vision,...
Reviewed by Gongalo Frota in issue: Nov/Dec/2011
Los Desterrados, meaning ‘the exiles’, formed in 2000 with the aim of bringing ancient Ladino music back to life for...
Reviewed by Helen Beer in issue: July/2013
‘Glad Christmas comes’ is the opening line from ‘December’ in John Clare’s poem The Shepherd’s Calendar. Carthy and Boden sing...
Reviewed by Julian May in issue: January/February/2024
These two albums were originally issued solely on cassette by Headway Recordings, a now-defunct local label in Asheville, North Carolina,...
Reviewed by Keith Howard in issue: March/2024
Faraz Entessari & Fabio Tricomi
This new album of Iranian classical music features Faraz Entessari on tar (long-necked lute), accompanied by Fabio Tricomi on various...
Reviewed by Laudan Nooshin in issue: March/2013
Kathryn Roberts & Sean Lakeman
Hidden People is a neat title for Kathryn Roberts and her husband Sean Lakeman’s debut album. Both were well-known before...
Reviewed by Julian May in issue: Aug/Sep/2012
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