The Battle of the Hotels was a vicious conflict that took place in Beirut at the beginning of the Lebanese...
Reviewed by Daniel Spicer in issue: May/2023
The Devon-based duo have been together – in the gaps between their burgeoning solo careers – since 2014, with an...
Reviewed by Tim Cumming in issue: December/2021
Born in Damascus but now based in the UK, Youssef has set out to explore and expand the range of...
Reviewed by Robin Denselow in issue: May/2022
For the better part of 20 years, Buda’s Éthiopiques releases have been the go-to series for Ethio-jazz and traditional music...
Reviewed by Jim Hickson in issue: May/2017
Sanda Weigl has a strong, warm voice with a touch of grit – just right for the lautari Gypsy songs...
Reviewed by Simon Broughton in issue: July/2011
Back with a pared-down sound and a Buddhist-inspired spiritual bent, Brooklyn fusionists Matuto have ditched the surf guitar that marked...
Reviewed by Brendon Griffin in issue: July/2013
Masters of reimagined improvised music, Ana Kravanja and Samo Kutin might be better known for their excellent work as Širom...
Reviewed by Tommie Black-Roff in issue: July/2020
The third album from these three Flemish brothers finds them building impressively on the success of previous offerings Modus Operandi...
Reviewed by Kevin Bourke in issue: March/2017
In 1965, Who's That Knocking? by Hazel Dickens & Alice Gerrard demolished forever a de facto gender barrier within the...
Reviewed by Doug Deloach in issue: December/2022
This is a hugely ambitious and timely double album from the New York-based, Syrian-born virtuoso clarinettist and composer Kinan Azmeh....
Reviewed by Douglas Macgregor in issue: June/2019
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