Bardik Springs is very much an album of two halves. The first CD offers an elegant fusion of Indian classical...
Reviewed by Liam Izod in issue: June/2018
Huong Thanh & Franck Tortiller
To Saigon for a postmodern nostalgia trip; here, veteran Vietnamese vocalist Huong Thanh revisits the songs of French colonial Vietnam,...
Reviewed by Liam Izod in issue: June/2017
From K-drama on Netflix to K-beauty in Boots, South Korea has been on a remarkable rise to prominence in the...
Reviewed by Liam Izod in issue: November/2020
French guitarist Nguyên Lê and Vietnamese singer and multi-instrumentalist Ngô Hong Quang take the clash of the modern and traditional...
Reviewed by Liam Izod in issue: June/2017
Okwy Osadebe & Highlife Soundmakers International
Highlife music is most closely associated with Ghana, but the genre's roots extend across West Africa and beyond. Okwy Osadebe...
Reviewed by Liam Izod in issue: July/2023
Brian Molley Quartet & The Asin Langa Ensemble
This record deepens the engagement of Scottish saxophonist Molley with Indian music. On 2022’s Intercontinental, Molley’s focus was on Tamil...
Reviewed by Liam Izod in issue: May/2025
Tapi put their best feet forward on opener ‘Paigam’, with a surando (folk fiddle) sample introducing a reflective vocal refrain....
Reviewed by Liam Izod in issue: July/2019
Norwegian folk and Arabic maqam engage in an understated courtship on this debut record by violinist Inger Hannisdal. Bass, drums...
Reviewed by Liam Izod in issue: December/2022
Zorongo Blu offers an accomplished but not entirely comfortable fusion of jazz and flamenco. The group take their name from...
Reviewed by Liam Izod in issue: Aug/Sep/2019
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