Two years after his successful Univers-Île album [a Top of the World album review in #132], Jeremy Labelle, a forerunner...
Reviewed by Pierre Cuny in issue: July/2019
Chao told his biographer Peter Culshaw that he had always regarded French music as “bullshit”; for years he refused to...
Reviewed by Nigel Williamson in issue: Jan/Feb/2014
Launching the Brighton-based label’s new Cuban Classic Series comes this curio from 1977, originally released on the Areito subsidiary of...
Reviewed by Mark Sampson in issue: January/February/2024
As compiler Daniel Rosenberg concedes in his liner notes, voodoo, in Western popular culture at least, has never had the...
Reviewed by Brendon Griffin in issue: Jan/Feb/2014
Dafné Kritharas | DafnÉ Kritharas
It needs to be said at the outset that Dafné Kritharas has a fantastic voice, it has a clear, pure...
Reviewed by Maria Lord in issue: April/2022
Over the past few years Madrid-based label Galileo has been licensing a number of talented and distinctive Argentinian tango bands...
Reviewed by Chris Moss in issue: July/2010
This rather engaging combo was formed by two Vincents – one surnamed Allard and the other Sanchez – who left...
Reviewed by Philip Sweeney in issue: March/2016
This mezcla (mix) of Colombian energy and New York savvy promises much, but delivers even more. To their native Afro-Colombian...
Reviewed by Mark Sampson in issue: July/2016
Robin Layne & The Rhythm Makers
The Pacific coast is this congenial album’s common denominator: percussionist, composer and educator Robin Layne is based around Vancouver and...
Reviewed by Mark Sampson in issue: February/March/2025
Fabiano do Nascimento | Fabiano Do Nascimento
Raised in Rio and São Paulo, the now LA-based acoustic guitarist has had a busy time recently, with albums for...
Reviewed by Mark Sampson in issue: April/2025
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