Reviews
It’s Not Going to be Okay
A follow-up to last year’s enticingly experimental Teeth of Time, Joshua Burnside’s latest release is a softer, more sentimental offering...
Reviewed by Olivia Cheves in issue: April/2026
Jaya
Chandra Lacombe has been playing and recording since the early 80s, the Brazilian musician gaining renown for his intertwining of...
Reviewed by Paul Bowler in issue: November/2022
La Part du Feu
This attractive mix of merriment, melancholy, and mystery as much reflects Le Vent du Nord‘s approach to assembling and recording...
Reviewed by Jeff Kaliss in issue: March/2010
Couleur
Three years after her masterpiece, Miziki, Ivorian singer Dobet Gnahoré has now taken up the challenge to produce another highly...
Reviewed by Pierre Cuny in issue: Aug/Sep/2021
Shouka
There hasn’t been much news from the Western Sahara recently. But all is not quiet on the Western front. Shouka...
Reviewed by Andy Morgan in issue: Aug/Sep/2010
Sicilia Araba
This album is the latest instalment of a longstanding project to reimagine the music created by the Arab population of...
Reviewed by Philip Sweeney in issue: Apr/May/2014
Psychedelic Pernambuco
Like a balding prog-rock lover at a record fair, European labels and DJs continue to trawl Brazil's 1970s back catalogue...
Reviewed by Alex Robinson in issue: July/2011
Early Congo Music 1946-1962: First Rumba, to the Real Rumba
Early Congo Music 1946-1962 has been compiled and annotated by Japanese collector Yoshiki Fukasawa. His unusual sub-title comes from the...
Reviewed by Martin Sinnock in issue: November/2019
The Voice of Suka
This is a remarkable album. Maria Pomianowska is a Polish fiddle player who collaborates with musicians all over the world;...
Reviewed by Simon Broughton in issue: April/2017
The Definitive Doc Watson
Folk-singer-ophobes may find an unlikely ally in American roots singer Tim O’Brien, who astutely summarises Doc Watson’s appeal in the...
Reviewed by Matthew Milton in issue: Jan/Feb/2014
