Now in his mid-70s, Traoré was allegedly playing African blues guitar even before the late, great Ali Farka Touré. His...
Reviewed by Nigel Williamson in issue: Jan/Feb/2018
Frank London Glass House Orchestra
The Glass House Orchestra takes its name from the Üvegház (Glass House), a building used by the Swiss diplomat Carl...
Reviewed by Simon Broughton in issue: October/2017
Belonging to Sublime Frequencies’ locale-specific radio collage series, Radio Vietnam is a ‘plunderphonics’ album: that's to say, the mashed-up audio...
Reviewed by Barley Norton in issue: July/2015
In case you haven’t yet heard, the Green Rock River Band are a London-based eight-piece purveying acoustic music infused by...
Reviewed by Doug Deloach in issue: Jan/Feb/2015
At a recent meeting to plan Songlines' 20th anniversary commemorative special (out on September 6), we found ourselves wondering what...
Reviewed by Nigel Williamson in issue: October/2019
Cuba’s thrilling music scene is constantly throwing up new artists whose dashing approach takes your breath away. Harold López-Nussa is...
Reviewed by Jan Fairley in issue: March/2010
Mehmet Polat is from Urfa in Turkey, overlooking the Euphrates, so looking towards Syria and Iraq rather than Istanbul. He...
Reviewed by Neil van der Linden in issue: June/2018
From the opening, jump-up moments of ‘Abatina’, a crisp, smart updating of a famous traditional rhythm, ‘Kalenda March’, it is...
Reviewed by Charles De Ledesma in issue: Aug/Sep/2016
The clue is in the name. This terrific quartet led by visionary roots guitarist/vocalist/arranger Clay Ross celebrate America’s Indigenous folk...
Reviewed by Nigel Williamson in issue: March/2024
Piers Faccini & Ballaké Sissoko
The British-Italian folk songwriter Piers Faccini and the Malian kora player Ballaké Sissoko (Taj Mahal, Toumani Diabaté, Derek Gripper) first...
Reviewed by Jane Cornwell in issue: April/2025
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