From the first few bars of the opening title-track, The Sargasso Season resounds with mellifluous beauty stemming from the pairing...
Reviewed by Doug Deloach in issue: June/2022
This is another re-release from the Tabansi vault of 80s African music. The late Nkono Teles, who is perhaps better...
Reviewed by Lucy Hallam in issue: November/2019
Soon after the various artists who collaborated on The Elizabethan Session conceived their evocation of the first Elizabethan age, they...
Reviewed by Tim Cumming in issue: Nov/Dec/2014
In the early 1980s in the city of Thies in Senegal, a group recorded approximately two-and-a-half hours of music that...
Reviewed by Martin Sinnock in issue: March/2016
O’Hooley & Tidow were mightily impress¬ive at the Nowt So Queer as Folk concert at Cecil Sharp House, the home...
Reviewed by Julian May in issue: March/2012
‘As you know, we play music of various countries and peoples,’ says vocalist Mitia Khramtsov in Russian on the live...
Reviewed by Simon Broughton in issue: Jan/Feb/2019
County Antrim harpist, fiddler and vocalist Amy McAllister's pleasingly bright and lyrical voice calls to mind the once ubiquitous Mary...
Reviewed by Michael Quinn in issue: October/2017
For better or worse, Jewish song often contends with a dizzying array of demands, from dealing with painful memory to...
Reviewed by Tommie Black-Roff in issue: May/2016
Shane Cooper & MABUTA are often referred to as part of a new wave of South African jazz artists. But...
Reviewed by Diane Coetzer in issue: July/2022
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