Reviews
Por Meu Cante
Por Meu Cante was originally released in 2004 and it’s the second of Antonio Zambujo’s albums. Although his singing only...
Reviewed by GonÇalo Frota in issue: Aug/Sep/2011
Tiempos Buenos
Grupo Rebolú are the best AfroColombian ensemble working out of New York City, and arguably the best of their kind...
Reviewed by Jane Cornwell in issue: December/2020
‘Live’ in Foix
Tcha Limberger Trio with Mozes Rosenberg
Tcha Limberger is a super-skilled and versatile violinist, who plays in a number of different genres. Sometimes it's Transylvanian folk,...
Reviewed by Simon Broughton in issue: July/2018
Dawn
Javier Limón, from Madrid, is best known as a flamenco guitarist and producer for the likes of Paco de Lucía...
Reviewed by Chris Moss in issue: Aug/Sep/2014
Do Coração
Last year, we praised Sara Correia’s first adult album (she had released a previous one in her adolescence) as a...
Reviewed by GonÇalo Frota in issue: December/2020
Coti Coti
How much sax can you take? Anyone working in the vicinity of a tireless one-hit busker or being driven by...
Reviewed by Chris Moss in issue: March/2021
Mañana
It's probably fair to say there aren’t that many famous Mexican-Canadian singer-songwriters out there and certainly none of the stature...
Reviewed by Brendon Griffin in issue: Aug/Sep/2014
Liga Latina
Liga Latina have been described as ‘a European supergroup.’ Well, they're a quintet of Scandinavian musicians steeped in Latin and...
Reviewed by Mark Sampson in issue: Aug/Sept/2020
Dounia Tabolo
Now in his mid-70s, Traoré was allegedly playing African blues guitar even before the late, great Ali Farka Touré. His...
Reviewed by Nigel Williamson in issue: Jan/Feb/2018
Nomade Orquestra
While it's surely purely coincidental that São Paulo's Nomade Orquestra formed in 2012, the same year Azymuth's José Roberto Bertrami...
Reviewed by Brendon Griffin in issue: July/2016
