Reviews
Meu Único Medo É Primavera
After a brief opener in which the Paulistano musician intones the album's title four times to the sole accompaniment of...
Reviewed by Mark Sampson in issue: March/2023
Dakar-Kingston
Baaba Maal claimed many years ago that the reggae rhythm was derived from the hypnotic, centuries-old sound of West African...
Reviewed by Nigel Williamson in issue: July/2010
Tants Caps, Tants Joguets
‘Everybody fancies a nice pork pie,’ claims the chorus of ‘Tiny Kitchen’, sung by a duo of guest vocalists known...
Reviewed by Matthew Milton in issue: Jan/Feb/2014
Oye Manita
When a 39-year-old Totó La Momposina arrived in Paris in June 1979 as a refugee from Colombia, she had already...
Reviewed by Chris Moss in issue: November/2018
Music is My Home: Act 1
Raphaël Imbert is a French saxophonist who has undertaken several journeys into the Deep South of the US to experience...
Reviewed by Garth Cartwright in issue: May/2016
Beja Power! Electric Soul & Brass from Sudan’s Red Sea Coast
A unique instrument is always eye-catching, and Noori’s incredible self-made (literally) fusion of an electric guitar and a tambour (lyre)...
Reviewed by Jim Hickson in issue: July/2022
Zoo of Songs
German group Pulsar Trio have transplanted the emblematic instrument of Hindustani classical music – the sitar – into a northern...
Reviewed by Liam Izod in issue: November/2018
Van Diemen's Land
There will be a new solo album from Sam Lee in the spring. Meanwhile he and Notes Inégales, a cutting-edge...
Reviewed by Julian May in issue: March/2019
Republique Amazone
Last year's WOMAD performance by this collective of West African female singers of different generations and traditions was highly praised....
Reviewed by Nigel Williamson in issue: June/2017
