Youssou N’Dour began the 80s as the hub of a dynamic emerging music scene in Senegal and ended them being...
Reviewed by Mark Hudson in issue: Jan/Feb/2013
Citing Norwegian chamber-prog band Meer and composer Bear McCreary as influences, The Crooked Fiddle Band’s new and lengthily-titled album comprises...
Reviewed by Tom Newell in issue: September/2024
With the same band she used for her award-winning Here’s My Heart Come Take It (drummer/producer Mattie Foulds, violinist Lauren...
Reviewed by Tim Cumming in issue: December/2020
Hailing from Orkney, and mentored by Douglas Montgomery (The Chair, Saltfishforty), the all-female group Fara is comprised of Jennifer Austin...
Reviewed by Billy Rough in issue: December/2016
Not surprisingly, this solo album from one third of long-established Canadian folk-pop trio Po’Girl sounds not entirely dissimilar to Po’Girl,...
Reviewed by Matthew Milton in issue: Nov/Dec/2012
Tcha Limberger’s Kalotaszeg Trio
Violinist Tcha Limberger was born in Belgium to a Romani Gypsy father. His last disc, reviewed in Songlines #60, was...
Reviewed by Simon Broughton in issue: March/2010
SK Kakraba is a Ghanaian musician living in Los Angeles, and his instrument is the gyil. This pentatonic xylophone of...
Reviewed by Jim Hickson in issue: December/2015
It's been five years since the last studio offering from Irish supergroup Dervish, which makes The Thrush in the Storm...
Reviewed by Michael Quinn in issue: Aug/Sept/2013
The glorious 11th-century Varagavank monastery on the front of this CD shows that architecture is one of the great achievements...
Reviewed by Simon Broughton in issue: April/2021
Terry Allen & The Panhandle Mystery Band
Now here's a fascinating one. Terry Allen is an artist of many forms: a conceptual artist, painter, writer, playwright, and...
Reviewed by Jim Hickson in issue: June/2019
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