Reviews
The Capitol Session ’73
After being unceremoniously dumped from their opening slot on a Sly and the Family Stone tour, Bob Marley and the...
Reviewed by David Katz in issue: January/February/2022
Matjale
The percussionist Thabang Tabane grew up playing in Molombo, a band from Mamelodi township on the outskirts of Pretoria, led...
Reviewed by Nigel Williamson in issue: November/2018
Úrnua
Carl Hession, Eimear Coughlan, Francis Cunningham
The scion of a well-known Count Galway family of traditional musicians, pianist Carl Hession has established himself as a consummate...
Reviewed by Michael Quinn in issue: Jan/Feb/2020
Azaadi: Freedom
Samia Malik's album is autobiographical, bringing out the personal from the political via a series of original English and Urdu...
Reviewed by Amardeep Dhillon in issue: October/2017
No Food Without Taste If By Hunger
Following Edo Funk Explosion Vol 1, which featured three Benin City groups, we are now treated to an album by...
Reviewed by Martin Sinnock in issue: May/2023
The Turn of the Tide
This is the second solo album from the Sussex-based folk singer with fingers in many pies. He is the co-founder...
Reviewed by Nathaniel Handy in issue: November/2017
Gabriel Saglio et les Vieilles Pies
Gabriel Saglio et les Vieilles Pies
World music fusions have often resulted in some pointless sonic stews, and Gabriel Saglio, a Toulouse-based artist, has come up...
Reviewed by Jon Lusk in issue: Nov/Dec/2013
Åra
Apneseth is on the move again. His previous albums have investigated a more purist Norwegian folk (even when he's penned...
Reviewed by Martin Longley in issue: April/2018
We Have Tigers
I have mixed feelings about We Have Tigers, the debut folk album of the Finnish-English artist Inga Liljeström. Let's deal...
Reviewed by Howard Male in issue: March/2018
