Andean music is the ultimate ex-pat music, not only because it works well in shopping arcades, but because so many...
Reviewed by Chris Moss in issue: Jan/Feb/2017
Some instruments seem to be tailor-made for specific music genres. The Portuguese guitar, for instance, is undeniably a pivotal piece...
Reviewed by GonÇalo Frota in issue: May/2021
Karl Seglem is important to the Norwegian music scene for many reasons: as a hugely respected tenor sax player, as...
Reviewed by Fiona Talkington in issue: March/2014
It's a bold and ambitious idea to enter an isolated community who have no experience of singing and ask them...
Reviewed by Martin Sinnock in issue: August/2017
The Magnolia Sisters consist of four women – Ann Savoy, Jane Vidrine, Anya Burgess and Lisa Trahan – who come...
Reviewed by Garth Cartwright in issue: July/2014
There should be a special award for this kind of high-level deployment of a musical ensemble. Fulks, a skilled acoustic...
Reviewed by Jeff Kaliss in issue: Jan/Feb/2014
Lyrically original songs and delicate instrumentals mix and merge on Two Fine Days, from young duo Jack McNeill and Charlie...
Reviewed by Tim Cumming in issue: July/2012
The much-missed group SsingSsing was the vehicle that brought Lee Heemoon to international fame, a genre-blending, gender-bending kaleidoscopic take on...
Reviewed by Keith Howard in issue: September/2025
Having made her name as the ‘queen of folk’, singing all acoustic and mostly traditional material, by 1965 Baez was...
Reviewed by Nigel Williamson in issue: December/2025
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