The principal styles of this debut are spunky Afrobeat and tepid jazz fusion, with the emphasis, disappointingly, on the latter....
Reviewed by Martin Longley in issue: June/2014
Tango and flamenco have elemental, thematic, tonal and rhythmic differences due to their entirely separate, and exceptional, cultural histories. On...
Reviewed by Chris Moss in issue: Jan/Feb/2012
Buenos Aires has strained connections with its hinterlands; beyond them, provincial Argentina has more in common with Bolivia or Mongolia...
Reviewed by Chris Moss in issue: October/2021
‘E bom Cantar’ (It’s time? to sing) is just one of 36 versions of contemporary samba on this dedicated compilation...
Reviewed by Sue Steward in issue: Aug/Sep/2011
A seagull's head on dancer's legs – not at all disturbing or Hieronymous Bosch-like – is artist Kirsty Whiten's cover...
Reviewed by Tim Cumming in issue: July/2020
Boxing Banjo's debut on disc arrives trailing competition glory for the County Mayo quartet, who together have amassed more than...
Reviewed by Michael Quinn in issue: December/2018
Can you have too many Touareg guitar records? Not when they’re as potent as this second album from Kel Assouf,...
Reviewed by Nigel Williamson in issue: July/2016
Close to two decades ago painter, poet and musical polymath, Piers Faccini, released his solo debut on Label Bleu. Since...
Reviewed by Nigel Williamson in issue: May/2021
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