Newcastle-based Monster Ceilidh Band are much in the mould of Shooglenifty or Peatbog Faeries, with a rich fusion of ceilidh...
Reviewed by Billy Rough in issue: June/2017
If it wasn't for the laidback, Portuguese vocals, you'd be convinced that this album came direct from Africa. In fact,...
Reviewed by Russ Slater in issue: April/2019
Turkish psychedelic rock from the 60s seems to have been reborn from the ashes lately, with a new generation of...
Reviewed by Robert Rigney in issue: November/2019
The opening of this album sounds like you've stumbled into an astonishing cadenza in the middle of a violin concerto....
Reviewed by Simon Broughton in issue: November/2019
Strictly speaking, Scandinavia consists of Norway, Sweden and Denmark, but compiler Tatiana Rucinska has opted here to defer to common...
Reviewed by Kevin Bourke in issue: October/2011
Favourites on the Australian folk circuit, it's been eight years since Kate Burke and Ruth Hazleton's last recording, Summer's Lonesome...
Reviewed by Seth Jordan in issue: Jan/Feb/2016
It is always welcome to see albums of music that bring more local traditions to a wider audience, and this...
Reviewed by Maria Lord in issue: July/2014
Le Ballet National de Guinée Conakry
Guinea’s Ballet National ensemble has existed since independence was won in 1958 and proudly stands as a symbol of Mande...
Reviewed by Martin Sinnock in issue: October/2010
Passion in spite of poverty, magic in the face of misery – these are survival strategies in Latin America. Lila...
Reviewed by Chris Moss in issue: November/2015
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