Dan Harper doesn’t heed conventional wisdom. You’re supposed to open an album with one of the strongest songs in your...
Reviewed by Nige Tassell in issue: Nov/Dec/2013
The second album of shanties and songs of the sea from Pressgang Mutiny since they came together in 2013 in...
Reviewed by Kevin Bourke in issue: December/2020
Convened and led by Javid Afsari Rad, a santur (hammered dulcimer) player with Iranian roots, ComboNations capitalise on a variegated...
Reviewed by Martin Longley in issue: October/2017
Kabir Sehgal & Amaan Ali Bangash & Ayaan Ali Bangash
Last time sarod players Amaan Ali & Ayaan Ali Bangash appeared in Songlines it was in a distinguished fusion project...
Reviewed by Simon Broughton in issue: November/2022
Brìghde Chaimbeul, Ross Ainslie & Steven Byrnes Haberlin
Now here’s something pretty remarkable, the first album of double C smallpipes to be released anywhere in the world. LAS...
Reviewed by Kevin Bourke in issue: November/2022
Often cited as early explorers in what we now call world music, Swedish ensemble Spjärnsvallet first formed in the early...
Reviewed by Kevin Bourke in issue: March/2015
Urban southern Serbia, under Turkish rule until 1878, has retained many so-called ‘Oriental’ characteristics in its folkways, food and, of...
Reviewed by Kim Burton in issue: December/2019
While O'Hooley & Tidow's sprightly ‘Gentleman Jack’ has become the theme tune for Sally Wainwright's acclaimed new drama series of...
Reviewed by Tim Cumming in issue: Aug/Sep/2019
One aspect of 60s and 70s Brazilian music that is often over-looked is the fact that it made acoustic instruments...
Reviewed by Russ Slater in issue: January/2021
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