The follow-up to Niteworks' critically acclaimed debut album NW is a beautifully produced and exciting album with some fresh and...
Reviewed by Billy Rough in issue: November/2018
Right in the middle of the rock-jazz-Latin Venn diagram there's a sweet spot reserved for Santana. Many have tried to...
Reviewed by Russ Slater in issue: December/2022
Pulo NDJ is a project that broadcasts from the musical midpoint between N'Djamena, Chad and New York. DJs Nickodemus and...
Reviewed by Jim Hickson in issue: June/2019
Much has been written about ‘world music’ as a genre – going back to David Byrne's 1999 New York Times...
Reviewed by Howard Male in issue: May/2016
Siskin Quartet are a melding together of two remarkable duos. English-born fiddler Bridget Marsden and accordionist Leif Ottosson – outstanding...
Reviewed by Tony Gillam in issue: January/February/2023
Self-defined as ‘Galician folk Druids,’ the five gifted musicians that make up Sangre de Muerdago show anti-interest in being fashionable...
Reviewed by Chris Moss in issue: April/2021
Stanley Brinks & the Old-Time Kaniks
Indie-folk is often terrible: a ham-fisted, middle-of-the-road mush of xylophones and ukuleles that is unashamedly twee and contrivedly cute. Thankfully,...
Reviewed by Matt Milton in issue: March/2017
With its musicality, playful melodies and wide mix of influences (samba, choro, pop and doo wop are all in the...
Reviewed by Russ Slater in issue: Apr/May/2013
Eat the Moon is the third album by FY5 – aka Finnders & Youngberg – and combines the swinging strings...
Reviewed by Doug Deloach in issue: Jan/Feb/2016
The Río de la Plata has a long tradition of meditative guitar music. It’s informed by the mestizo traditions of...
Reviewed by Chris Moss in issue: April/2024
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