‘Good evening compadre. We've been waiting for you..!’ That's the welcome given by the musicians at the start of the...
Reviewed by Jan Fairley in issue: Apr/May/2012
Of all the mash-ups in all the world, this Romani-Cuban musical summit had to happen one day. And it was...
Reviewed by Mark Sampson in issue: April/2017
Cynefin is the recording name of West Wales trip-hop-and-jazz-player-turned-folk-musician Owen Shiers. The title translates as ‘Following a River’ and takes...
Reviewed by Tim Cumming in issue: April/2020
Aziza Brahim was born in the refugee camps of Algeria, an exile from her homeland in what the Saharawis call...
Reviewed by Robin Denselow in issue: March/2014
Not many observers might have expected comedian Adrian Edmondson’s jiggery-jokery folk-punk outfit to last beyond a few gigs, let alone...
Reviewed by Kevin Bourke in issue: Nov/Dec/2013
The stereotypical image of the early blues pioneers as black itinerant males playing bottleneck guitar on the plantations of the...
Reviewed by Nigel Luilliamson in issue: April/2020
After a recent spate of successes in the Indian department (the revisited Rough Guides to Bhangra, Bollywood and Music of...
Reviewed by Alastair Johnston in issue: June/2011
Sometimes on this Yorkshireman's second album, Pike's downbeat vocal with guitar and strings can feel over-familiar, as can some lyrics:...
Reviewed by Glenn Kimpton in issue: Jan/Feb/2018
John Carty is one of Ireland’s most respected traditional fiddle and banjo players and this eloquent collection of fiddle tunes...
Reviewed by Kevin Bourke in issue: May/2021
For their fifth full album, the four ‘sons of a Gypsy French poodle’ (as their name translates, roughly) have expanded...
Reviewed by Mark Sampson in issue: July/2022
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