Unreconstructed field recordings of folk songs and instrumental pieces may not be everybody’s cup of tea, but this collection provides...
Reviewed by Keith Howard in issue: Nov/Dec/2013
Firstly (as he must surely be heartily sick of hearing by now), this Colin Farrell is not the famously rowdy...
Reviewed by Kevin Bourke in issue: Nov/Dec/2011
In 2016 Frank London (The Klezmatics, Hasidic New Wave etc) was invited to be artist-in-residence for the celebration of the...
Reviewed by Tom Newell in issue: June/2021
Since he left Steeleye Span in 2013, Peter Knight's major musical preoccupation has been Gigspanner. (The name refers to that...
Reviewed by Julian May in issue: July/2015
Anna and Rowan Rheingans were born in Sheffield and grew up in the Peak District, daughters of a violin-maker whose...
Reviewed by Tim Cumming in issue: Jan/Feb/2016
The most striking feature of Brownswood's Cuban series has been its focus on unearthing new talents and creating hybrid sounds....
Reviewed by Russ Slater in issue: Jan/Feb/2015
First released back in 1989, when ‘world music’ was young, this set is as life-enhancing and plain funky as an...
Reviewed by Tim Cumming in issue: March/2019
From Tuva via Moscow to Vienna, Sainkho here visits abandoned islands in the Venetian lagoon, improvising lyrical vocal lines, soft...
Reviewed by Keith Howard in issue: July/2023
After five fine albums of Appalachian-tinged folk songs, Diana Jones felt too devastated by the horror of Trump’s election to...
Reviewed by Nigel Williamson in issue: November/2020
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