The revival of authentic Transylvanian music was central to the Hungarian táncház (dance house) movement in the 1980s and 90s....
Reviewed by Simon Broughton in issue: October/2018
On the opening track of this album, which was originally released in 1975, the Ghanaian bandleader Gyedu-Blay Ambolley recites a...
Reviewed by Nigel Williamson in issue: November/2018
Xabier Díaz & Adufeiras de Salitre
‘Illas de Sal’, the final track of As Catedrais Silenciadas, was built around one of the countless field recordings that...
Reviewed by GonÇalo Frota in issue: Aug/Sept/2020
For his 21st ECM album, Stephan Micus employs no fewer than nine instruments from different cultures, but focuses principally on...
Reviewed by Michael Church in issue: October/2015
The hurdy-gurdy is an instrument that lurks slightly in the shadows. It appears in a few folk bands, like Blowzabella,...
Reviewed by Simon Broughton in issue: July/2016
No one could dispute that Breton musician Alan Stivell almost single-handedly revived global interest in the Breton harp and, indeed,...
Reviewed by Kevin Bourke in issue: Jan/Feb/2016
Taiko is a term that covers an array of Japanese drums (known as wadaiko). Since the mid-20th century, taiko has...
Reviewed by Darran Smith in issue: May/2017
A subtle sifting through the Kalthoum songbook. Raised in Tunisia but now living in Brussels, Ghalia Benali has explored many...
Reviewed by Neil van der Linden in issue: October/2010
This double album compilation curated by Nick ‘Dubulah’ Page celebrates the 100th release of IRL Records. It is a masterclass...
Reviewed by Howard Male in issue: April/2017
The musical pilgrimage route from West to East may be well-trodden, but it does not typically run through Woking. Little...
Reviewed by Liam Izod in issue: January/2021
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