Eliza Carthy & The Restitution
‘I've given blow jobs on couches to men who don't want me anymore’ – that first line of Eliza Carthy's...
Reviewed by Julian May in issue: December/2022
About this album, Dandana say ‘the old system can’t easily deal with young or new ideas.’ In a time where...
Reviewed by Jim Hickson in issue: October/2020
The South African pianist Ndikho Xaba was 30 years old when he sought exile in the US in 1964. He...
Reviewed by Nigel Williamson in issue: November/2015
The brilliant Northumbrian piper Kathryn Tickell has worked with classical musicians before, composing for the Nash Ensemble, percussionist Joanna MacGregor...
Reviewed by Julian May in issue: Nov/Dec/2014
Mihirangi has always trod a very independent musical path. Raised on the road with her musician parents, she’s a born...
Reviewed by Seth Jordan in issue: July/2013
Li Xiangting is without doubt one of the few bona fide guqin (Chinese zither) masters of his generation. Not only...
Reviewed by Hyelim Kim in issue: October/2019
It must be a thankless task being asked to compile one CD that sums up the whole of a musical...
Reviewed by Maria Lord in issue: Aug/Sep/2010
Cool, hip, vibrant might alone be three words that sum up Elephant Sessions’ forth release, For the Night. Building on...
Reviewed by James Scott Rorison in issue: December/2022
John Spiers and Jon Boden are best-known now as the musical masterminds at the heart of folk-burlesque big-band Bellowhead. They...
Reviewed by Julian May in issue: October/2011
This album showcases the remarkable talents of Egyptian-born oud player and singer Mustafa Said and his youthful Beirut-based collective, the...
Reviewed by Martin Stokes in issue: December/2015
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