Reviews
Céu e Mar
Leila Pinheiro has an amazing CV; over 30 years she has recorded 16 albums; she has collaborated with the likes...
Reviewed by Russ Slater in issue: July/2012
La Migra
Opening track ‘Aguanileo’ is a marvellous thing: seven minutes of swirling guitars and horns, electronic trills and crashing sound effects...
Reviewed by Russ Slater in issue: July/2017
Singing it All Back Home
Naomi Bedford has a distinctive voice, opening up like a tea rose, with its own colour and fragrance. On her...
Reviewed by Tim Cumming in issue: July/2019
Baul-Fakir Gostho Lila: Conversations between Ma Joshoda and the Cowherds
It could be just happenstance, but I detect a reawakening of interest in traditional folk culture in the Indian subcontinent....
Reviewed by Simon Broughton in issue: Aug/Sept/2013
Kíla Alive
Recorded live in various venues throughout 2016, this latest offering from the irrepressible Kíla captures the outfit in their natural...
Reviewed by Michael Quinn in issue: June/2017
Indestructible
The brassy, bouncing opening bars of ‘Moreno Soy’, the first track of Indestructible, will make flamenco fans’ hearts pound to...
Reviewed by Chris Moss in issue: July/2017
The Woman at the End of the World
Elza Soares has been one of Brazil's most controversial samba singers ever since her career began in the late 1950s,...
Reviewed by Russ Slater in issue: July/2016
The Good Noise
The latest release from Me Lost Me, the musical project of British artist Jayne Dent, is an extraordinarymélange of field...
Reviewed by Simon Cross in issue: January/2021
Common Nation of Sorrow
Americans are angry. The signs are hard to miss. Bluegrass and old-time banjo music are good for expressing these discontents,...
Reviewed by Nathaniel Handy in issue: April/2023
Livre
A seminal figure in Portuguese music, the guitarist Mário Pacheco for many years ran the Clube de Fado in Lisbon...
Reviewed by Nigel Williamson in issue: April/2022
