The Gambian kora player Amadou Bansang Jobarteh awoke many Western listeners to African music two decades ago, and now Dawda,...
Reviewed by Sue Steward in issue: October/2011
Judging by our own experiences, this is a winner. Our son was asleep before the third track had finished and...
Reviewed by Jill Turner in issue: Nov/Dec/2011
What music did people dance to in the Saigon nightclubs and army bases in the last few years of the...
Reviewed by Barley Norton in issue: July/2012
Is this the sound of post-revolutionary Tunisia? Perhaps. Certainly it is a self-assured, outward-looking and proudly individual debut from a...
Reviewed by Nathaniel Handy in issue: Apr/May/2012
Visitors to Port of Spain's legendary carnival will recall Panorama, the steel band competition at which bands – some up...
Reviewed by Charles De Ledesma in issue: November/2015
Ibrahim Maalouf’s family fled the civil war in Lebanon in the early 1980s to settle in the suburbs of Paris....
Reviewed by Andy Morgan in issue: Apr/May/2011
Natacha Atlas’ last album Ana Hina [reviewed in #52] was an extremely well judged step away from the Middle Eastern...
Reviewed by Bill Badley in issue: October/2010
The West first heard the guitarist and singer Sidi Touré, from Gao in northern Mali, in 1996 when Stern’s released...
Reviewed by Nigel Williamson in issue: October/2012
The British-Indian composer Baluji Shrivastav is an outsider where Indian music is concerned. A multi-instrumentalist, he plays sitar as well...
Reviewed by Jameela Siddiqi in issue: May/2017
Of the many Makeba compilations on the market, this 45-track set may just be the most comprehensive of them all....
Reviewed by Nigel Williamson in issue: October/2010
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