Reviews
Yonder Green Grove
The four women who make up The Norfolk Broads first met in the alto section of the Trad Academy Sea...
Reviewed by Tony Gillam in issue: April/2022
Prodigal Son
Released in 2007, this album is hailed by many as Simpson's finest hour. Recorded at the Pure Studio the year...
Reviewed by Tim Cumming in issue: May/2019
Connection
The Maghreban, aka Ayman Rostom, is a Guildford native with Egyptian and Saudi roots. This is the second album from...
Reviewed by Olivia Cheves in issue: October/2022
Where the World is Thin
Kris Drever’s solo albums don’t come that often – 2010’s Mark the Hard Earth was followed six years later by...
Reviewed by Tim Cumming in issue: January/2021
I Was Real
This is the duo's third album, now featuring an expanded line-up with extra guitars and percussion, saxophones, viola, upright bass...
Reviewed by Martin Longley in issue: Aug/Sep/2019
Acatao
The ancient link between Indian and Andalusian music – especially flamenco – via migrating Roma people has long been an...
Reviewed by Chris Moss in issue: April/2017
Crows’ Bones
Opera North, who originally commissioned this project as a live, touring event, clearly have a refreshingly broad idea of what...
Reviewed by Kevin Bourke in issue: June/2014
The D-Vine Spirituals Story Vol 3
‘Gimme that old-time religion…’ The latest 14-track batch of old-time gospel recordings for the Memphis-based D-Vine Spirituals label underlines how...
Reviewed by Mark Sampson in issue: October/2023
Africatown, AL Ancestor Sounds
After all Ian Brennan’s field recordings of mostly non-professional musicians and singers recorded around the world from Rwanda to Romania...
Reviewed by Nigel Williamson in issue: June/2024
The World Turned Upside Down: Rosselsongs 1960¬2010
Here are 73 songs lasting almost five hours, written over half a century. This is a life’s work. It’s the...
Reviewed by Julian May in issue: Jan/Feb/2012
